Dailies and cutting rooms, wherever you're set up.

Dailies

We collect each night's footage from set, sync it, back it up, run it through a colour-managed pipeline, and have it in editorial before the next day.

Near-set lab

We put a dailies station and an operator wherever the production needs them, so footage starts processing minutes from set.

Remote overnight

We pull the footage off set over a secure link and work through the night, so editorial opens to finished media.

Calibrated colour

We carry CDLs and LUTs from the DIT cart through to editorial, so the look you approved on set is the one everyone sees. An optional dailies colourist can provide additional balance, overnight.

Cloud review

Producers, studio and network receive a secure stream the next morning, wherever they are.

LTO archiving available on request.

Equipment & editorial hire

Every setup is specced for the show. We build, install and support exactly what you need, on site anywhere in Australia or configured for remote teams.

Editorial workstations

We configure edit-ready systems for your workflow and install them on site, or set them up for remote editing. One editor, or several connected suites.

Shared storage

Our own infrastructure team builds and supports it, sized to the show.

Client suites

We fit out producer and director review spaces in your own office, with a 4K projector or reference TVs.

Rent-to-own

On a long-running show, rentals can convert into ownership, with support contracts running in tandem.